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Greetings



for a new year full of dreams and emotions

With love, Marie-Lise

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Volami in the heart: last episode in the heart

Volami in the heart: the final

A stunning final, a moving episode. So I could summarize the last episode of Volami in the heart of last Saturday. Wonderful idea these parodies of musicals such as Grease for the present race of young players and figure skaters competing. I really liked Mary Poppins and quest'adorable young actress with its freshness and its radiant face that had nothing to envy Andrews in July. The young skaters were really worthy of a Disney movie, the magic was present. I laughed in taste with a parody of The Little Mermaid, with Max Vitale as the "prince" who arrives with his boat buoy. It is always so ready to play all the roles: Andrea Buscemi dad in the little mermaid. Very nice numbers with a parody of "Add a place at the table" where God had a voice .... but yes I had perhaps recognized: Carlo Pistarino . We were able to review

Carlo Pistarino last school where the janitor Ernestino imitated Andrea Buscemi laugh with his sarcastic detail and strongly defended his students. A beautiful picture: the author who defends his players. And he spoils his actors. So I really appreciated the homage to Andrea Buscemi that in addition to being a comedian is here also and primarily a stage actor who knows classic parody. Shakespeare he knows, to have played seriously, and there has fun parodying Hamlet. Knowing parody itself is a proof of humility, congratulations.

This episode has been able to summarize the spirit of the six previous events and pay tribute to all singers and comedians. No one has been forgotten, the troop celebrated it with emotion. And Pupo, emotional and holding back tears, said Goodbye to Ernesto Schinella . The best off at the end of the episode with other guests or the wonderful moments was magnificent.

We were like 17% now. What a pity for those who looked away, he missed the excitement of a real good show, music, beautiful voices.

Volami in the heart, a good title that few people understand. Open your heart and listen to music, this is not so complicated. But you need to know to observe. An effort insurmountable for the viewer of today that the zapping easy. Maybe he needs to relearn to sit comfortably on his couch watching television as if FOSE in a theater or a room of the show, and appreciate, understand things that look. Then the righteous will be a critical and constructive, and not read these stupid comments that are brilliant and a talk show "indecent" music from a child's passionate singing. Perhaps the sense of reason would return?

With this text, I want to thank all the artists and the technical group of Volami in the heart of the show for seven weeks we have had. We can not thank them with our applause, witness to them so all our recognition and our satisfaction behind our screen, it's always frustrating. Modestly but maybe we can write some lines on the Internet hoping it does not get lost in the sea of \u200b\u200bgiant web. However, it is what I tried to do during these last weeks.

soon

Marie-Lise
Posted November 11, 2008

You can see beautiful pictures on the site www.artedicarlopistarino.fr section "News"

Dry Nose More Condition_symptoms

Volami 6: The comedy scene in the heart

The sixth installment in the heart of Volami gave a place more onus on the comedy sequences, which allowed us to see a little 'plus all the comedians that make up the program.

I greatly appreciated the sketch with Andrea Buscemi as a Scottish professor, a delight, accompanied by our dear beadle Carlo Pistarino in careful translator. I love it when Buscemi says "Enzo Ghinazzi Pupo in art" with this play so that I do not tired. I repeat myself but these two actors together are a treat. We later found

Pistarino Carlo Buscemi and among students of the School of turbulent Ernestino. A nice moment of madness where Until of India were very good. The sequence of the dentist has also allowed us to see Max Vitali, Gigi Garelli with Biaggio Izzo (see photo) and the sketch of the House of Pupo Manuela Aureli as Raffaella Carra. Caramba Her boys are worthy of remembrance, come see Pistarino Charles, Max and Vitale Gigi Garelli with blonde wig and precious gestures had a great time.

I really liked the idea of \u200b\u200bpresenting Little Tony with this sequence back and rockeurs Biaggio Izzo and Gabriele Cirilli . Very good transitions between songs to music enriched the troop of dancers the program.

So a galaxy of comedy sequences and a beautiful work of Charles Pistarino which is its author.

complete, although the critics do not like that I could read on the Internet and have certainly forgotten that laughter is good simply, without vulgari or violence. In France, apart from some rare exceptions, the actors have become stars in dialogues made vulgar and stereotypical. Then it is useful to review comic fun of course, make quick sketches and pleasant. Have fun and that is what we must see, enjoy. So gentlemen detractors criticize the wrought makes no sense, is all that apply. There are lookouts, and then! Actors are fans of their work and do it for our pleasure. Voila!

The music was not forgotten, of course with beautiful duets such as Fausto Leali and Simona Bencini or Silvia Mezzanotte and Aleandro Baldi . How many beautiful voices.

In short, once again, I saw a good show. On my great sadness is stunned to discover the next day the auditel: unfair. But the Italian public does not know laughter? Volami in the heart is attacked viciously, and yet this beautiful and tender program does not deserve this hatred. The final is next Saturday, and I will be faithful to observe this final appointment of fire prepared by a troop of artists who did not deserve this contempt. Marie-Lise


Posted November 4, 2008

Brodnica Dolna Dom Do Wynajecia

Volami 5: jazz, jazz, jazz! !

Guests were famous and gave a splendid performance. Gianni Morandi knows how to live a song, send this anger. Watching him is intense, fascinating. And on Saturday night has enchanted the scene in the heart of Volami . Her duet with Ornella Vanoni was a great moment of the song. These two professionals have shown us what it is passion, this unknown force that passes through the voice and gestures. Unable to live a stronger song, they played with their whole bodies, their being. A beautiful moment.

And then a ray of sunshine came on stage, a frenzy, the rhythm personified: Paolo Belli . A large "coup de chapeau," compliments to the orchestra of RAI and Leonardo de Amicis to have been able to play well this repertory almost to the comma, because it was not easy to replace the legendary Big Band , her sounds of brass so particularly at this time despite furious that transport you. " Hey, Signorina Mambo " "Under this sun " I remember back, old impressions: I'll be back Saturday. The dancers were also there, all the joy and the excitement had returned: Paolo Belli sang. Une immense pleasure to see him like that. Thanks to director Roberto Cenci which has provided him the perfect space to be able to express all this explosion of swing, jazz. The episode took an incredible speed, crazy awesome that I was breathless. A great artist is not seen enough. I very much liked the imitation of Milly Carlucci and his relentless flow of words Manuela Aureli. Let play Paolo Belli , yes is a prayer. Worth a show where he can give us everything he had been able to create with Torno Sabato. I say this often, but I think: Paolo Belli and his Big Band was the heart, the grain of madness, the carefree, party. And last Saturday I once again experienced that. It is a great and it was a moment of pure happiness. Thanks

last May when I had imagined Ernesto Schinella sang: "It was small so " it would be interesting to see him one day next to Paolo Belli . And well what made Saturday. ... Have the same passion, had On both the same desire to have fun. It 'nice to see artists who live their art.

Like all the other singers on the bet that once again sang beautiful songs. The seasoned comic passages of long of India. Very good numbers with Ernesto and this parody of the characters of Pinocchio. My little time for me, with the entry of the alert Carlo Pistarino , with only this air that always makes me cry laughing. His voice-overs later in the sketch of the test that gives a counterparty Perotta and Cirilli. I can not wait to be next Saturday to discover a new edition of Ernesto school because I think that Carlo Pistarino has prepared us wonderful things (see photos on the site Artedicarlopistarino.fr / News page).

And finally, a little 'poetry, a great pleasure for me that I love Francis Cabrel : the revival of his song " Petite Marie" Umberto Tozzi from . The melody was respected and the words practically identical. The melodies of this poet are beautiful in Italian.

A very good program, so for this fifth installment in the heart of Volami . It's good, good vibrations. Marie-Lise


Published October 28, 2008

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Volami in the heart 25 octobre 2008: A tempting menu in the heart

I read this morning on the Internet the list of guests this evening:

Gianni Morandi, Paolo Belli, Ornella Vanoni, prickly pears, and Alvaro Vitali.

A legend of the song and the king of swing in the same episode: not to be missed!

I'm so happy to be able to review Paolo Belli !! Then

appointment on RAIUNO 21.30

Marie-Lise
Published October 25, 2008

Viscount St Davids Pirate's

Volami 4: Song, dance and comedy: that ask for?

The first song of the episode explained the whole heart of the program: "I live for her": the music . A strong message to explain that this passion does not expect the number of years. To test: Spaghetti band of young children, with an impressive Young guitarist plagiarizing the sound of Santana. We were surprised with their version of the song Henri Salvador "Le lion est mort " (the lion is dead) interpreted into English by a girl of 7 years.

" Let me sing" We all know this refrain: Toto Cutugno was Prestento this Saturday to give us some of his best songs. A real piece: Toto Cutugno knows animate a scene, to vibrate an audience with a tribute to the mothers or star with his song: "The Italian . Surrounded the small singers of "I'll leave you a song, this great composer and professional the song was really in his element. A high point of the episode, very much alive.

I was also happy to see in this fourth edition of the comedians that appeared during the show now, this very well because alternating with musical numbers is very toned. So Andrea Buscemi with his sketching introduced Burt Spencer . Very good idea. Students unruly school Ernestino have given us a new comic moment where the professor and our favorite janitor Carlo Pistarino have already done wonders. I laughed when I discovered Charles Pistarino in myopic linesman waving his flag. A beautiful creation, his character is superb.

Andrea Buscemi and Charles Pistarino form a good duo because I find they are complementary. So Buscemi is an expert in perfect condition, nice pull worthy of classical theater, but it is a bit 'limited effects on attitudes or by surprise. Areas where just the opposite Carlo Pistarino Excel and so beside Buscemi can guarantee perfect freedom in this part, each provides a repertoire and does not encroach on the contrary, doubling their effects and is very successful. Actually, I find them perfect.

We also had a small memory of a summer program that we had great fun: "Tonight I contribution" by Federico Perotti and his sketch of the specimen with the voiceover of Carlo Pistarino .

And then these beautiful duets with singers: Ron and Julie Dancing, Samatha excuse and Silvia Mezzanotte or Ricardo Sheets and Aleandro Baldi ... to name but a few.

three-hour show was successful. Marie-Lise


Published October 21, 2008

Unlic Powerpath Lite Problem

Something for tele 4: how to circumvent or an artist

I was hopeful after seeing the third installment of "Fool for tele . The spirit of the "Enfants de la télé " began to arrive. But the fourth episode I was cold. Indeed, the previously reported errors were repeated: the cuts with the installation were hard and terribly visible. Reading today on the forum fan club Antonella Clerici Carlo's comment Pistarino describing all the sequences that were eliminated was sorry. And not talking about the movie Superman and Wonder Woman with Antonella and Carlo spread without warning just behind the advertisement and a quarter of an hour before the end.

If every time you try to do something about this idea are eliminated with the installation, my question is: because you wanted Carlo Pistarino gentlemen? It did not come into the studio with burglary! He is an artist who would like to do its job if it does not bother you too much. Humor has become a forbidden subject? Bother? It is precisely what is missing terribly the Italian version des "Enfants de la télé " a grain of madness, audacity. Everything is chatting with guests in which one takes a little 'too much to the detriment of the program itself. The spirit of play, recreation is non-existent, yet they are essential to the binder. What a pity that the director does not seem to understand that.

I got bored watching the fourth episode, in addition to moments of shows with her sisters Kessler or to the extracts of old varieties. Where is the surprise, improvisation? No, not allowed creativity seems. I thought the Italian television with "Something for tele " he sublimated the notion of "Enfants de la télé " that France is losing the inspiration after so many years of broadcasting. The comedy is Italian for me, and I was hoping to find the golden period of this program thanks to this festive spirit. To my amazement, the Italian television has diluted, an impoverished concept of entertainment. But after all the auditel is good, then it is not important. We no longer speak now in the first of the syllabus but their share, alas! It should be a seller, have famous names in the episode.

I apologize to be so hard. We French have a reputation for being grumpy no! But I think next Saturday. Sitting at this table, knowing that everything you can do is perhaps ruined, Charles honestly do his job. And we as viewers see an artist to circumvent the priority side gossip because it is more profitable.


Marie-Lise
Posted October 9, 2008

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Volami heart: As long as there will be music

long as there is music, singing quality, the show will be there. And this Saturday night was well with this third episode of Volami heart certainly shortened, but always of high quality. The beautiful voices of

Fausto Leali, Umberto Tozzi, Rossal Misseri and Simona Bencini (photo above) to name only a few have rocked our ears with delight. Lucio Dalla offered us a great time, the duet Ernesto Schinella Gigi d'Alessio was very nice .... And many other singers, many colors, dancing prowess. A feast for the eyes and ears.

and then my favorite sequence: the school of Ernestine, with Carlo Pistarino who likes to surprise his colleagues with magnificent improvisations which has the secret. It is always too short, but it's so good.

Yes, the show is still there and well beyond, the artists give their best, this group of Volami in the heart, such a troop, we offer beautiful numbers.

What a shame for those who can not appreciate more, lose this wonderful feeling that comes at the end of the show: a smile, the heart is warmed. For over two hours and half we have seen a good show and for that we thank them.

Appearance October 18 for the fourth edition. Marie-Lise


Posted October 7, 2008

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Something About the paintings: a night in "fun"

Carlo Pistarino is .... Diabolik!

The presence of Mike Bongiorno is not the only reason to scream "fun!" This third episode was more happy that earlier. I say this not only because we could finally see Carlo Pistarino operate around the table for guests. It is true that I very much enjoyed his forays into the program, that mixes with the guests and playing with them. We would have liked to do a little 'more so because it is precisely the spirit of the "Enfants de la télé " that was then. The quizz musical inspired by Amadeus is also the perfect example of what needs to be done.

I loved the "Diabolik". Carlo Pistarino has really done a very good job with this parody, a little jewel of a few minutes. It's amazing with this look worthy of the best actors in silent surprise me once again with his play. Antonella Clerici is adorable when he sang his song.

Max Giusti Mordant gave the episode, its dynamism is literally taking off some sequences, such as the sketch of the cabin to parody programs Mike Bongiorno.

The dark spot: once again mounting, yet to be reviewed with these sudden and unjustified cuts to what I can gather reading the comments of fans of Antonella Clerici who have had the wonderful gift of being invited to their meeting. Have been so privileged witnesses of the bet, and their verdict was unanimous: the program is even better live. There is therefore a waste of talent, and not just film!

What a shame, but maybe that last episode director and project manager will have understood that we needed to do! Too late, alas. Why not listen to those who know? Mystery ....

In any case I hope the next episode that there is precisely this evening will continue to progress in good sense. Something for tele can become a successful program to be repeated further beyond five episodes. Should just let the guests, the artists have fun. It would be sad to sink a great ship that, as soon leave that to explain its sails, could navigate on long journeys. Marie-Lise


Posted October 4, 2008

To see some moments of the third episode including the famous Diabolik, click VIDEO . (Thanks leone804
;-) It is always up http://www.artedicarlopistarino.fr/ photo evidence (thank you Charles)

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Volami in the heart: if you still have a viewer!

This is what I want to tell viewers stunned when I read that the ratings of the second episode of the heart Volami were 18.76%.

A little more than six months ago already asked this question in an article on the blog: " But what the public wants?" and unfortunately it is with sorrow that the Italian public becomes like the French public. For years in my country unfortunately shows are missing the real screen, and few attempts are no longer plays in the heart of Volami .

But because this program does not have the expected success? I read on the Internet that you regrets that the race is only a pretext. So what? It's nice to see competitors playing at a race with friends. Yes it's an excuse to show beautiful voice to listen to singers ( Giuliana Danzè for example, an impressive young talent), and see professional artists to share with us their passion.

Volami The second episode of the heart was very good. I have really enjoyed the comic roles that were well integrated during the show. The School of Ernesto (Carlo compliments) or the sketch of the dinner were very good moments. The young actors reciting Paolo Ferrari (see above photo) have given us a piece of theater. And the always excellent orchestra of Leonardo de Amicis and directed this perfect length without Roberto Cenci. So why?

Pupo is too weak as an animator? It is true that it has a very strong personality and is almost a guest in the program. Ernesto Schinella does his best and well. But all this is secondary and does not explain everything.

I would say that today's viewers want drama, tears, scandals, shady characters, VIP. Junk. Still feel the emotion of a song, the power of poetry, the humor of a comedian? Do not know how to look more and listen. Absorbs images and insipid speeches dishes. This is scary! You

artists, the whole group in the heart of Volami I think. They worked hard, the result was wonderful but viewers have not opened their hearts. Hermetic the beauty of a true spectacle. More than ever I think the real artists no longer have their place in the small screen. It is the scene, the real, the one with the audience in the flesh that will be their last sanctuary. Where the heart beats of the public are mixed with those of the artist.

Next Saturday will be the appointment, with the fear of having this program to meet an impoverished public bleak.

Marie-Lise

Published September 30, 2008

You can see beautiful pictures of the tests in the heart Volami taken by Charles Pistarino site http://www.artedicarlopistarino.fr /

What Kind Hair Does Myammee Weave

Fool tele: Carlo Pistarino

Carlo Pistarino answered questions from fans last Wednesday of Antonella Clerici who welcomed him warmly on their forum:

. .. The cartoon is not like my dress broke Fred Flintstone on the two interpreters in Dallas with two beautiful lines: "How much oil today, that tomorrow I have to fill up? And" if you came in Italy thinking that the loans were lower than in America ........ you have the wrong country. " How

is not my story on the Drive In, with lots of interesting that the public does not know, and the applause which I did do the public and colleagues, to remember Beppe Recchia!

Why? Because the assembly falls into the hands of incompetents, with no artistic sensibility, and without respect for the work of others and to Antonella, even more serious.

Excuse the outburst, a big hug.

Carlo Pistarino

(source: forum Antonella Clerici )

There is a lack of time or technical problems, the second episode of last Tuesday me alas confirmed what I had found for the first: a willingness to strike an artist. I've never seen this in my country, so I paid.

also distressing that these "decision makers" are killing a program that is not likely to achieve the success he had in France. The play is absent from this adaptation. It is the magic ingredient that will be missed. You deprive Antonella Clerici of an additional light source, a spice, a fragrance. And go with the weight of a single program.

More than ever, I'm glad Charles found his own: the artists, with " Volami in the heart." There, it can breathe.

Viewers, you have an affectionate thought for Charles on Tuesday. Continue with dignity, always so kind to try to help Antonella Clerici. But, he did not deserve to be treated that way.

Force Carlo, Marie-Lise


Published September 26, 2008

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Volami says in his heart: a perfect show

Gabriele Cirilli, Pistarino Carlo, Biagio Izzo, Leonardo De Amicis, Fausto Leali

is the first word I had in leading the end of this first episode Saturday, September 20. The direction was great. Roberto Cenci has this particularity to grab the viewer from the first image and bring in a whirlwind of dance, lights and music. Everything was brought together to make a good show. The artists were brilliant and were put in value from their various services. Young skaters, artists, young actors from the singers, dancers, comedians, various numbers were connected to perfection. A major work, an incredible pace. No downtime, no sequence "Spying" or "VIP". No, a smart show, a rare commodity that should be emphasized. Because it was nice to hear these young actors give their seats to the beats of theater you will see this talented young skaters, review the competitors leave you a song and listen to the voices of great Faust, Rosalia Misseri, Riccardo Fogli, Silvia Mezzanotte to name but a few always excellent orchestra accompanied by Leonardo di Amicis . A 'ecstasy. And then, Madame Sophia Loren , real, a myth.

Pupo I was pleasantly surprised by his way of doing nice and simple. He managed to avoid stifling Ernesto Schinella which has ensured its part worthily. Pupo has not taken a predominant position, was able to animate without playing the star of the program, this change!

It is true that the length of the episode is to be reviewed and a half, "now in less than would be appropriate. But that is not after midnight! The time at which the actors express themselves, and where I happily discovered that there Carlo Pistarino has prepared a caretaker of the character strampolato wig irresistible ;-) Besides being an author for the program, Charles gave us a moment of madness, surrounded by some fellow comedians who have a lot of fun in the "school of Ernesto." A smile seeing Carlo Pistarino recite Andrea Buscemi . The two sommeliers together (see the post: "There is a sommelier who wants"). I would appreciate the comic roles are interspersed a bit 'more in various stages of the program is just a small point worth mentioning. In fact see better Emanuela Aurelie, Max and Angelo and Carlo Pistarino course (but I know it impagnato on Saturday with the recording of "Something About the TV"). The two captains will expire: Biagio Izzo and Gabriele Cirilli have frantically animated program. Is required!

Yes, a perfect show and intelligent. And I think this becomes perhaps most embarrassing for the criticism. I have read quite surprised about the Internet little feedback regarding the first episode. Only the ratings were cited. It 's always easier to criticize do compliments, it seemed difficult to give an opinion. This program will present a rich and varied panel of the show in general. Can not be accused of not having the defects of many other programs! It 's the sheer variety.

My only fear is that this program should subside as deplorable by putting numbers in order to attract more plays. For pity, touched the audience to rediscover the true variety, and no doubt "Volami in the heart" is a perfect example of what must be done.

Bravo to all this group that you feel the drive and the pleasure of playing together. Charles E. .. congratulations ;-)


Marie-Lise
Published September 23, 2008

can discover in the News section of www.artedicarlopistarino.fr beautiful Pictures taken by Charles Pistarino