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Volami 5: jazz, jazz, jazz! !

Guests were famous and gave a splendid performance. Gianni Morandi knows how to live a song, send this anger. Watching him is intense, fascinating. And on Saturday night has enchanted the scene in the heart of Volami . Her duet with Ornella Vanoni was a great moment of the song. These two professionals have shown us what it is passion, this unknown force that passes through the voice and gestures. Unable to live a stronger song, they played with their whole bodies, their being. A beautiful moment.

And then a ray of sunshine came on stage, a frenzy, the rhythm personified: Paolo Belli . A large "coup de chapeau," compliments to the orchestra of RAI and Leonardo de Amicis to have been able to play well this repertory almost to the comma, because it was not easy to replace the legendary Big Band , her sounds of brass so particularly at this time despite furious that transport you. " Hey, Signorina Mambo " "Under this sun " I remember back, old impressions: I'll be back Saturday. The dancers were also there, all the joy and the excitement had returned: Paolo Belli sang. Une immense pleasure to see him like that. Thanks to director Roberto Cenci which has provided him the perfect space to be able to express all this explosion of swing, jazz. The episode took an incredible speed, crazy awesome that I was breathless. A great artist is not seen enough. I very much liked the imitation of Milly Carlucci and his relentless flow of words Manuela Aureli. Let play Paolo Belli , yes is a prayer. Worth a show where he can give us everything he had been able to create with Torno Sabato. I say this often, but I think: Paolo Belli and his Big Band was the heart, the grain of madness, the carefree, party. And last Saturday I once again experienced that. It is a great and it was a moment of pure happiness. Thanks

last May when I had imagined Ernesto Schinella sang: "It was small so " it would be interesting to see him one day next to Paolo Belli . And well what made Saturday. ... Have the same passion, had On both the same desire to have fun. It 'nice to see artists who live their art.

Like all the other singers on the bet that once again sang beautiful songs. The seasoned comic passages of long of India. Very good numbers with Ernesto and this parody of the characters of Pinocchio. My little time for me, with the entry of the alert Carlo Pistarino , with only this air that always makes me cry laughing. His voice-overs later in the sketch of the test that gives a counterparty Perotta and Cirilli. I can not wait to be next Saturday to discover a new edition of Ernesto school because I think that Carlo Pistarino has prepared us wonderful things (see photos on the site Artedicarlopistarino.fr / News page).

And finally, a little 'poetry, a great pleasure for me that I love Francis Cabrel : the revival of his song " Petite Marie" Umberto Tozzi from . The melody was respected and the words practically identical. The melodies of this poet are beautiful in Italian.

A very good program, so for this fifth installment in the heart of Volami . It's good, good vibrations. Marie-Lise


Published October 28, 2008

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Volami in the heart 25 octobre 2008: A tempting menu in the heart

I read this morning on the Internet the list of guests this evening:

Gianni Morandi, Paolo Belli, Ornella Vanoni, prickly pears, and Alvaro Vitali.

A legend of the song and the king of swing in the same episode: not to be missed!

I'm so happy to be able to review Paolo Belli !! Then

appointment on RAIUNO 21.30

Marie-Lise
Published October 25, 2008

Viscount St Davids Pirate's

Volami 4: Song, dance and comedy: that ask for?

The first song of the episode explained the whole heart of the program: "I live for her": the music . A strong message to explain that this passion does not expect the number of years. To test: Spaghetti band of young children, with an impressive Young guitarist plagiarizing the sound of Santana. We were surprised with their version of the song Henri Salvador "Le lion est mort " (the lion is dead) interpreted into English by a girl of 7 years.

" Let me sing" We all know this refrain: Toto Cutugno was Prestento this Saturday to give us some of his best songs. A real piece: Toto Cutugno knows animate a scene, to vibrate an audience with a tribute to the mothers or star with his song: "The Italian . Surrounded the small singers of "I'll leave you a song, this great composer and professional the song was really in his element. A high point of the episode, very much alive.

I was also happy to see in this fourth edition of the comedians that appeared during the show now, this very well because alternating with musical numbers is very toned. So Andrea Buscemi with his sketching introduced Burt Spencer . Very good idea. Students unruly school Ernestino have given us a new comic moment where the professor and our favorite janitor Carlo Pistarino have already done wonders. I laughed when I discovered Charles Pistarino in myopic linesman waving his flag. A beautiful creation, his character is superb.

Andrea Buscemi and Charles Pistarino form a good duo because I find they are complementary. So Buscemi is an expert in perfect condition, nice pull worthy of classical theater, but it is a bit 'limited effects on attitudes or by surprise. Areas where just the opposite Carlo Pistarino Excel and so beside Buscemi can guarantee perfect freedom in this part, each provides a repertoire and does not encroach on the contrary, doubling their effects and is very successful. Actually, I find them perfect.

We also had a small memory of a summer program that we had great fun: "Tonight I contribution" by Federico Perotti and his sketch of the specimen with the voiceover of Carlo Pistarino .

And then these beautiful duets with singers: Ron and Julie Dancing, Samatha excuse and Silvia Mezzanotte or Ricardo Sheets and Aleandro Baldi ... to name but a few.

three-hour show was successful. Marie-Lise


Published October 21, 2008

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Something for tele 4: how to circumvent or an artist

I was hopeful after seeing the third installment of "Fool for tele . The spirit of the "Enfants de la télé " began to arrive. But the fourth episode I was cold. Indeed, the previously reported errors were repeated: the cuts with the installation were hard and terribly visible. Reading today on the forum fan club Antonella Clerici Carlo's comment Pistarino describing all the sequences that were eliminated was sorry. And not talking about the movie Superman and Wonder Woman with Antonella and Carlo spread without warning just behind the advertisement and a quarter of an hour before the end.

If every time you try to do something about this idea are eliminated with the installation, my question is: because you wanted Carlo Pistarino gentlemen? It did not come into the studio with burglary! He is an artist who would like to do its job if it does not bother you too much. Humor has become a forbidden subject? Bother? It is precisely what is missing terribly the Italian version des "Enfants de la télé " a grain of madness, audacity. Everything is chatting with guests in which one takes a little 'too much to the detriment of the program itself. The spirit of play, recreation is non-existent, yet they are essential to the binder. What a pity that the director does not seem to understand that.

I got bored watching the fourth episode, in addition to moments of shows with her sisters Kessler or to the extracts of old varieties. Where is the surprise, improvisation? No, not allowed creativity seems. I thought the Italian television with "Something for tele " he sublimated the notion of "Enfants de la télé " that France is losing the inspiration after so many years of broadcasting. The comedy is Italian for me, and I was hoping to find the golden period of this program thanks to this festive spirit. To my amazement, the Italian television has diluted, an impoverished concept of entertainment. But after all the auditel is good, then it is not important. We no longer speak now in the first of the syllabus but their share, alas! It should be a seller, have famous names in the episode.

I apologize to be so hard. We French have a reputation for being grumpy no! But I think next Saturday. Sitting at this table, knowing that everything you can do is perhaps ruined, Charles honestly do his job. And we as viewers see an artist to circumvent the priority side gossip because it is more profitable.


Marie-Lise
Posted October 9, 2008

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Volami heart: As long as there will be music

long as there is music, singing quality, the show will be there. And this Saturday night was well with this third episode of Volami heart certainly shortened, but always of high quality. The beautiful voices of

Fausto Leali, Umberto Tozzi, Rossal Misseri and Simona Bencini (photo above) to name only a few have rocked our ears with delight. Lucio Dalla offered us a great time, the duet Ernesto Schinella Gigi d'Alessio was very nice .... And many other singers, many colors, dancing prowess. A feast for the eyes and ears.

and then my favorite sequence: the school of Ernestine, with Carlo Pistarino who likes to surprise his colleagues with magnificent improvisations which has the secret. It is always too short, but it's so good.

Yes, the show is still there and well beyond, the artists give their best, this group of Volami in the heart, such a troop, we offer beautiful numbers.

What a shame for those who can not appreciate more, lose this wonderful feeling that comes at the end of the show: a smile, the heart is warmed. For over two hours and half we have seen a good show and for that we thank them.

Appearance October 18 for the fourth edition. Marie-Lise


Posted October 7, 2008

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Something About the paintings: a night in "fun"

Carlo Pistarino is .... Diabolik!

The presence of Mike Bongiorno is not the only reason to scream "fun!" This third episode was more happy that earlier. I say this not only because we could finally see Carlo Pistarino operate around the table for guests. It is true that I very much enjoyed his forays into the program, that mixes with the guests and playing with them. We would have liked to do a little 'more so because it is precisely the spirit of the "Enfants de la télé " that was then. The quizz musical inspired by Amadeus is also the perfect example of what needs to be done.

I loved the "Diabolik". Carlo Pistarino has really done a very good job with this parody, a little jewel of a few minutes. It's amazing with this look worthy of the best actors in silent surprise me once again with his play. Antonella Clerici is adorable when he sang his song.

Max Giusti Mordant gave the episode, its dynamism is literally taking off some sequences, such as the sketch of the cabin to parody programs Mike Bongiorno.

The dark spot: once again mounting, yet to be reviewed with these sudden and unjustified cuts to what I can gather reading the comments of fans of Antonella Clerici who have had the wonderful gift of being invited to their meeting. Have been so privileged witnesses of the bet, and their verdict was unanimous: the program is even better live. There is therefore a waste of talent, and not just film!

What a shame, but maybe that last episode director and project manager will have understood that we needed to do! Too late, alas. Why not listen to those who know? Mystery ....

In any case I hope the next episode that there is precisely this evening will continue to progress in good sense. Something for tele can become a successful program to be repeated further beyond five episodes. Should just let the guests, the artists have fun. It would be sad to sink a great ship that, as soon leave that to explain its sails, could navigate on long journeys. Marie-Lise


Posted October 4, 2008

To see some moments of the third episode including the famous Diabolik, click VIDEO . (Thanks leone804
;-) It is always up http://www.artedicarlopistarino.fr/ photo evidence (thank you Charles)